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There are a lot of architectural styles that we remember when we think about architecture and its history, like the Ancient Greek, Gothic, Renaissance, Modernist and Post-modern style. However, there are a lot of other styles that are not only important to the history of architecture, but also can be an important inspiration to contemporary architects.
Here we present you six of these styles. They appear based only on chronological order.
ACHAEMENIAN IMPERIAL STYLE
The Achaemenian Imperial Style was the current style of the Persian Empire when it was ruled by the Achaemenian kings (from Cyrus the Great and Xerxes I to Darius III). There are only a few traces of what was built during this period of the Persian history, basically few columns and some bas-relief. However, this style still influences the contemporary Iranian architecture, like the Dariush Grand Hotel, in Kish Island, made by Hossein Sabet. The most famous structure of that style is the Apadana, in Persepolis. It was built between the 6th and 5th century B.C.
The Ancient Islam style started when Muhammad founded the Al-Haram Mosque or The Great Mosque of Mecca (630 A.C.) and ended when the Mongols destroyed the capital of Baghdad (1258 A.C.). This style heavily influenced Portuguese, Spanish and the Latin American colonial architecture, since the Muslin occupied Portugal and Spain during part of the medieval period. One of the most beautiful buildings of this style is the Prophet Mosque, in Medina, Saudi Arabia.
SACRED INDIAN STYLE
The first centuries of the second millennium saw a burst of Indian Sacred Architecture. From about 1000 A.C. to 1260, India became a strong country that wanted to establish itself as a superpower. To do this, part of its kings started to built temples to Hindu Gods. These temples follow the conceptual design of a combination of edicts, making it look like a series of fractal. The actual Indian Sacred Style is composed by the Valabhi, Phamsana, Latina, Sekhari and Bhumija styles. One of the greatest examples of the Indian Sacred Architecture is the Udayeshvara Temple, a temple made in the Bhumija style.
The Neogreek style was a revival style that appeared in Europe in the middle of the 18th century, after the Ottoman Empire lost the control of Greece and the works of James Stuart and Nicholas Revett about the ancient Greek art and architecture was released. It was one of the first revival style, but it didn’t earn enough recognition due to an “anti-greek” opposition made by some important architects of the period and due to the rise of the Neoclassical and the Gothic Revival style. However, it was still a strong style in Scotland until the late 1870’s, mainly because of the works of Alexander “Greek” Thomson in Glasgow, and in Germany, with the works of Karl Friedrich Schinkel. One of the most important work in this style is the Bank of England in London, made by Sir John Soane.
The Meiji Style is the style adopted by Japan during the period it started to modernize its country. In 1868, the Meiji Emperor started a program to modernize and industrialize its country. To make this, he encouraged the study of European architecture and engineering. On the first few years of this renovation, the Emperor hired a lot of European architects to work in Japan. However, In the early 1890’s, a lot of Japanese architects started to come from university, replacing the foreigners. This style is remembered because of its cultural hybridity and to be the first ones to use reinforced concrete in a Japanese architecture. One of the greatest examples of this architecture style is the Tokyo National Museum, made by Jin Watanabe.
The Petite Architecture is a style of contemporary architecture that first appeared in the early 1930’s in France. The idea was to build little, petite, houses that could be taken on trips. The first house that was done thinking in these concepts was the Bivouac Shelter, by Charlotte Perriand. After 50 years, the Petite Architecture Style gained a new breath, being adopted by architects in Japan, were it earned a more technological approach. The Japanese architects abandoned the mobile approach and used the Petite approach to build houses on small lands on Japanese metropolis. From the Japanese branch, one example is the Small House in Tokyo, made by Kazuyo Sejima.
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